A definition of “whimsy” is “playfully quaint or fanciful.” I think that aptly describes this collection of small paintings, on display at the Lisle Library now through the end of January. I’ve been having a great time creating them, using the simplest objects around the house or just my imagination as the starting point for designing the various bright and colorful compositions.
The Lisle Library, 777 Front Street, Lisle, will be hosting a reception on Saturday, December 7th, from 2 to 3:30 pm. Refreshments will be offered. So mark your calendars and hope to see many of you there.
Well, I’ll tell you. NANOWRIMO is National Novel Writing Month, which is November of each year. It’s a national challenge for people who write to draft a novel of 50,000 words in 30 days. The first time I participated was about 5 years ago, and the effort resulted in my first published mystery novel, Painting Lessons: a Bella Sarver Mystery (available on Amazon in both paperback and Kindle editions). I had a great time, and the experience reminded me just how much I love to write. Although I didn’t participate in subsequent years, I did keep on writing, and produced 3 additional books in the Bella Sarver Mystery series: Brush With Death, Paint a Murder, and Death on the Danube (all of which are also available on Amazon).
My good friend Elaine convinced me to give NANOWRIMO another try, so I rejoined the local group this year and have very much enjoyed the preparatory workshops, speakers, and exercises that I’ve attended. I even presented one myself, on How to Write a Mystery Novel. But now November is here, and it’s time to try to meet the challenge again.
So–the working title is Time Warp: a Love Story. It’s an outgrowth of a short story I wrote that will soon be published in an anthology. (More about that in another post.) Like Death on the Danube, the story takes place on a river cruise, this time on the Rhine. I’m not exactly sure what genre it’s going to be, but so far it’s a sort of a combination of paranormal/romance/mystery. (Is that an entirely new genre?) I’ve spent the past 10 days coming up with an outline, doing some research, doing time-line maps and –oh, yes. Writing. Will I make the 50K? Watch this space to find out. About 12000 words so far!
Friday, Nov. 1st, 7 to 9:30 – Villa Park Library, 305 S. Ardmore, Villa Park
Saturday, Nov. 2nd, 1 to 4:30 pm. 95th Street Library, 95th & Cedar Glade, Naperville.
I’m really looking forward to participating in the two Local Author Events this week. It will be a wonderful opportunity for me to meet some of my fellow authors and for all of us to meet current and future readers. I’ll be signing copies of my newest novel, Death on the Danube, for purchasers ($12 each), as well as copies of the previous three novels in my Bella Sarver Mystery Series: Painting Lessons, Brush With Death, and Paint a Murder ($10 each). It’s going to be fun, so spread the word!
Join us on Sunday, October 27 for the Studios 630 Fine Art Show Artist Reception, 3 – 5 p.m. at National University of Health Sciences, Roosevelt at Highland, Lombard (Clinic Building B). Refreshments will be served. Come meet the artists and enjoy the exhibit of fine art in the gallery.
I’m excited to announce that some of my Fruitful Relationship paintings are currently on exhibit at the Caffe di Moda, 1012 Burlington, Lisle (right across from the Lisle Train station, Main & Burlington). The cafe is beautiful, the food is delicious and as an extra bonus, you get to see some gorgeous original paintings by some of the members of Studio 630. Be sure to stop by soon.
I’m very excited to announce that Death on the Danube is finished. The Kindle version will be released October 5th, and can be pre-ordered now, to be delivered on the release date. I’ll also have a paperback version out soon.
This book has been very challenging to write, demanding quite a bit of research. It’s also been the most fun, so far. I’m beginning to feel like Bella Sarver and Art Halperin are old friends. I wonder what they’ll get up to next?
I promised to have my next mystery novel, Death on the Danube, ready by the end of September, and I’m happy to say I’ll be able to keep that promise. I finished the final revision a few days ago. It’s getting a last going-over by my favorite editor, Chuck, and then it will be up and running, and available for pre-orders.
So why the rush? I’ll be participating in a local author book-signing event in Naperville, at the 95th Street Library, on November 2nd. I want to have Death on the Danube on hand then, along with my 3 previous books featuring artist/detective Bella Sarver: Painting Lessons, Brush With Death, and Paint a Murder.
I titled the first exhibition of my paintings “A Colorful Journey,” and I see my writing as a continuation of that journey, a journey of exploration and discovery. I wrote the first book as a challenge, just to see if I could do it. I found that I could, and now I go to my laptop with anticipation, eager to find out what my characters are up to each day. It’s a lot of fun, as well as a lot of hard work. And sharing it with my readers is all part of the adventure.
I just finished reading “Big Magic: Creative Living Beyond Fear,” by Elizabeth Gilbert. She writes as if she’s sitting across the table with the reader, cup of coffee in hand, leaning forward, and you’re having this great discussion, except she supplies both sides of the discussion. In this case, the discussion is about what qualities we need to cultivate in order to live our most creative lives. It’s all very upbeat and encouraging, whether you think of yourself as a creative person or not. As someone who has to admit to some level of creative impulse in her life, I found it very enlightening.
Speaking of creativity, for a while now, I’ve been exploring abstract shapes, colors, textures and designs in my paintings. It’s been a lot of fun, and I’m certainly not done with that aspect of my ‘colorful journey’, but I was inspired recently to return to a genre I painted earlier – landscapes. In ‘Falling Water,’ I used my recently acquired ‘abstract’ skills to try to capture the almost explosive power of water as it thunders and roars its way down a mountain. I hope this painting manages to capture some of the electric energy I felt looking at scenes like this up in Alaska recently.