Decoding Nobel Prize Literature: My Perspective

Thoughts on Art

Barbara Lipkin

May 09, 2026

As a life-long reader and writer, I jumped at the chance to join a book club formed to read and discuss Nobel Prize winning literature. After giving it two tries, I’ve decided that this just isn’t for me. Maybe I’m naive or unsophisticated but it’s always been my opinion that writing is supposed to be lucid, constructed in such a way as to be able to convey ideas clearly and in an organized manner. But my experience reading some of these books and poems has shown me that for some reason, people who write prose or poetry that is convoluted, obtuse, obscure, pretentious and impenetrable seem to garner the most applause.

One of the members opined that artists are simply trying to express their own thoughts, without regard for an eventual reader. But as a painter and writer myself, I know that if my only aim was to express my thoughts and feelings, I’d just keep a diary. The fact that I put my work “out there” for the public indicates that I expect and hope that what I have to say will be experienced and appreciated by others. To that end, I try to make my writing clear. Not simple, necessarily. I, too, am fond of imagery and metaphor, but when I use those devices, I try to make sure they are truly enhancing the writing, not just trying to impress and/or obscure. With my painting, too, although I often create abstract works, I try to use color and pattern to express mood and feelings, not simply smear paint on a canvas at random, paying no attention to use of color or design. So if art and writing are meant to express the creator’s ideas, they must be presented in a coherent enough way to be able to do so. A novel, essay or poem shouldn’t be so obscure that the only way one could attempt to make sense of it is to analyze it word by word. Where is the joy in that? Where is the meaning, emotion, recognition and discovery?

So I guess Nobel Prize winners will just have to get along without my patronage. If others enjoy reading their work, more power to them. I have other things to do.

A Death in Our Family

Bella Sarver’s latest mystery is now available for pre-order from Amazon. The book will be released on May 25th, so if you pre-order it, it will be automatically delivered to your e-reader on that date.

The paperback edition will become available on May 31st. Watch for more info soon.

The Kindle e-book edition is now ready for pre-order on Amazon: A Death in Our Family

    Tradition. 

It’s how we celebrate the happy times. It’s how we get through the hard times.
Gustav Mahler told us—” Tradition is not the worship of ashes. It is the preservation of fire.”
Bella Sarver counts herself lucky to be surrounded and supported by all three components of tradition: Family. Friends. Community. What else really matters? Even so, life can still be less than perfect and family secrets can roil a community, especially when the end result is murder. So when a respected lawyer, a member of the local synagogue, is killed, his murder sends out ripples throughout Bella’s world – the local art league, the synagogue and overlapping families. Always families. Ancient tales take on new life in every generation, don’t they? Isn’t that why we still tell them? From generation to generation.

Tradition.


Sometimes we tell our ancient stories through art, as Bella understands very well. It’s how she makes connections and figures out the truth.

A Death in Our Family

Tradition. It’s how we celebrate the happy times. It’s how we get through the hard times.

Gustav Mahler told us—” Tradition is not the worship of ashes. It is the preservation of fire.”

Bella Sarver counts herself lucky to be surrounded and supported by all three components of tradition: Family. Friends. Community. What else really matters? Even so, life can still be less than perfect and family secrets can roil a community, especially when the end result is murder. So when a respected lawyer, a member of the local synagogue, is killed, his murder sends out ripples throughout Bella’s world – the local art league, the synagogue and overlapping families. Always families. Ancient tales take on new life in every generation, don’t they? Isn’t that why we still tell them? From generation to generation. Tradition.

Chanukah Joy (collage, 7 x 5)

Sometimes we tell our ancient stories through art, as Bella understands very well. It’s how she makes connections and figures out the truth.

The latest of my Bella Sarver series, A Death in Our Family, is nearly ready to be released. I’ve been playing around with it for more than two years now, after having a provocative email landed in my in-box, and it’s finally evolved into a coherent novel. As an artist, I love to experiment with different mediums, and I find collage particularly interesting. With bits and pieces of various types of papers and fiber and found objects, a collage artist, like a painter, can create meaningful and expressive works, and have a lot of fun doing it. Sort of like playing.

In a way, A Death in Our Family is like a collage, in that it takes pieces of Old Testament stories, and Jewish traditions, and community events and combines them all into a whole, a sort of patchwork. I enjoyed researching it and pulling the whole thing together, and I hope my readers enjoy diving into it.

A Novel Finish

Passover on 19th St.
oil, 24 x 36

Phew! I’ve been working on my latest Bella Sarver Mystery, entitled A Death in Our Family, for the past two years, and today I’ve finished the fourth, and hopefully final, draft. It’s now with my Beta reader for review, and then, with only one final edit more, it will be ready for publication. Hopefully before summer.

Writing a mystery novel is an interesting process. The writer has to get to know her characters, figure out the plot and all the clues, pull all the pieces together. It’s not just about the mystery, of course. If the characters and setting are missing interest and appeal, the most clever puzzle is just a little game, not a novel at all. So of course, I’m hoping mine fills the bill.

The themes of A Death in Our Family are family relations, Jewish holidays and community, and, since my protagonist, Bella Sarver, is an artist, the local art scene, as well. Quite a lot to pull together, and still some work to be done, but finally, the end is in sight. So watch this space for further updates.

Still Standing

Still Standing, Acrylic, 20 x 16

Having recently returned from a visit to Scottsdale, Arizona, my mind is filled with images of the stately cacti that are everywhere in this beautiful dessert town. I love to abstract the essence of an image, and simply portray the basic shapes and colors. This cactus is broken, but still standing. What more could anyone want?

Yahrzeit Candles

Tuesday was my mother’s yahrzeit. She’s been gone twenty-six years already, though it seems like yesterday in many ways. I still miss her, every day. I lit the yahrzeit candle in her memory, as I do every year on the anniversary of her passing. Its flame gives me comfort. It’s almost as if she were still with me, just for the twenty-four hours or so while the flame flickers and burns and the wax melts in the little glass. I think about her, and wonder if she’s safe, if she’s at peace, if she and my Dad are together up there in Heaven. If they’re together with our grandson Dillon, who left us way too soon, at the age of 28. Are they watching out for him? Are they letting him know he’s still very much loved? And missed? And will never be forgotten? I hope so. I think so.

While the candle burns, I take comfort in my mother’s presence. I talk to her. I wrap my hands around the glass, feeling the warmth of the flame. I’m grateful to have the chance to be with her again, if only just for a little while. But then the wax is completely melted and the flame dies. And Mom is gone. All over again.

We say ‘may her memory be for a blessing.’ Yes, her memory is a blessing. Also a loss. A loss that doesn’t really get better as the years pass. May she rest in peace and love. She deserves the best.

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Never Again?

I usually write only about books or art, and this article is also about arts and culture–movies–but more importantly, it’s about the situation America is in today. So to prove I think about other things than painting or writing novels—–

Judgement in Nuremberg. Never Again?

This  week,  I saw two excellent movies—Nuremberg and Judgement at Nuremberg. The new movie, still in theaters and also streaming, revisits the genesis of the Nuremberg trials, with a very interesting behind-the-scenes look at how the trials came to be. There had never been any sort of international tribunal before, but the Allied Powers decided that the crimes committed by the Nazi regime were beyond anything the world had ever previously seen, and justice couldn’t be satisfied merely by having won the war.

Nuremberg concentrates on the first trials, in 1945, of twenty-two high-ranking officials in the German administration. It primarily focuses on Dr. Douglas Kelley, a US Army psychiatrist brought in to interview these people for the purpose of determining whether or not they were fit, sane enough, to stand trial.  The underlying assumption was that only insane people could have carried out the atrocities of the Holocaust. The interactions between Dr. Kelley, played by Rami Malek, and Hermann Goring, played by Russell Crowe, are intense.

The salient point of the movie, Nuremberg, is Dr. Kelley’s conclusion, which was certainly not viewed with general favor at the time, that none of the accused was insane. On the contrary, Dr. Kelley concluded that the Nazi leaders were perfectly sane and focused, and the ideas that motivated them were not exclusive to Germans in any way. He concluded that the same forces exist in every society, definitely including the United States.

Judgement at Nuremberg  was first released in 1961, but was initially shown to the public as a television play, on Playhouse 90, in 1959. This movie is a fictionalized account of the Judges Trial that took place in 1947, two years after the initial trial. This brought eleven former members of the German judiciary before the tribunal. This movie takes much more dramatic license with its material than does the recent one, but the conclusion ends up very much the same. The judges, learned and thoughtful men, participated on their own volition in the kangaroo courts that were responsible for convicting and killing or incarcerating innocent victims who opposed or displeased the Nazi regime in any way. The movie brings up the often-heard excuse, “we didn’t know,” when the accused were faced with the filmed evidence of the concentration camps’ brutality and inhumanity. It makes clear that if they didn’t know, it was only because they closed their eyes to the evidence all around them.

The most sympathetic of the fictionalized Nazi judges, Ernst Janning, was played by Burt Lancaster, who comes off as a thoughtful, caring human being, gripped and torn by deep conflict over his actions. Yes—until the devastating last line of the movie, when the American Chief Judge, played by Spencer Tracy, tells him, as he tries to excuse his actions, that he became part of the problem the first time he convicted a man he knew to be innocent, and condemned him to death.

The point of both of these movies is to show that the Nazis and the Germans who supported them, either by actively joining in or by idly standing by without protest, were not unique. Bigotry and brutality exist as human qualities, whether in Germany or in America, and need only a forceful, charismatic leader to bring those qualities to the fore, plus enough people who are unwilling to stand up and say ‘no’ to allow these things to happen.

We used to say ‘never again,’ never dreaming that the same forces could ever operate here in the United States. But we’re now seeing, every day, whether in the gestapo tactics of ICE or in the piracy and murders in the Caribbean or the illegal and unprovoked invasion of Venezuela that these same forces are rampant here and now.

Is it too late to stand up? Is it too late to say no? Please G-d, no, it’s not yet too late. Let us have the strength and courage to fight against the MAGA-ts, and give the spineless worms wriggling around on the floor of the Congress a big heave-ho at the mid-term elections, so we can reclaim our country and try to repair the vast damage that has been done already. Time is running out. We have only one more chance.

Indie Illinois

I’m so excited to learn that one of my books, Death on the Danube: a Bella Sarver Mystery, is now available on Indie Illinois: Discover books by local authors, part of Biblioboard, a website that allows readers to access ebooks by local authors from their local libraries. What a great way to let local authors expand their reach and to let readers expand their choices.

So be sure to check it out.

Community

Writing can be a lonely activity, so it helps a lot to have a community to share ideas and tips with. I’ve been lucky enough to have found The Writing Journey, a group of fellow writers, some years ago when I was just getting started writing my Bella Sarver Mystery novels. I don’t think I’d have had the courage to publish my books if it hadn’t been for this group. So you might want to click on this link and take a look at some of the work some of my fellow authors have been doing lately. There are some really excellent suggestions for holiday gifts.

Happy Holidays everyone, and Happy New Year!

Peace, Acrylic, 12 x 12