Maybe you’ve noticed–I love color. I love how different colors play off each other, sometimes soft and soothing (analogous colors), sometimes bright and jarring (complimentary colors). I often combine my colors with various mediums to create texture on the canvas, too. But for “Sculpture in Gray,” I decided to try something different. To begin, I just glopped on a pile of black and white paint loosely mixed with fiber paste and started spreading it around with a large palette knife. The painting sort of took off on its own from there. I glopped on more paint, dribbled on some silver, sprinkled a little glitter and–voila!
At first glance, you might think it’s just a gray painting, but as you look at it, you notice the swirls and layers, the shadows and lights, and you begin to lose yourself in the richness of the painting. I’ve been studying it in my studio for about a month now, wondering if I need to add any of my signature colors or maybe some defined shapes. But I’ve decided I love it just the way it is. Minimalism has certainly been around since at least mid-twentieth century, but now I find myself appreciating it much more deeply than I ever have before.