Painting in the Narrative Tradition

From earliest times, people have used pictures to tell a story. Following in this narrative tradition, I have created, over a period of years,  a body of work that tells the stories of some of my earliest memories. Many of these paintings are hanging in our family room at this moment. Looking at them recently, I realized that I need to take the exhibit a step further.

Pictures are great, but to really tell a complete story, you need words. At least, I do. So I decided to add a ‘narrative’ to my ‘history paintings,’ so that subsequent generations will understand what I had in mind when I painted them.

I grew up in Chicago in the 1950’s and 60’s. My family was close, both in physical proximity and emotionally. My aunt and uncle, and my grandparents were always in each other’s apartments, celebrating holidays and family events, as well as taking many outings together within the city. They’re all gone now, but my memories of them are still vivid and alive.

Times change, and the lifestyle we enjoyed then is no longer possible, with families spread out all over the world. We don’t live in each other’s pockets anymore. So stories will have to take the place of experiences, and maybe my paintings can make my stories more vivid and real.

For example, Passover on 19th Street, shows a family at a Passover Seder. My father, grandfather, and uncle are reading from the Hagaddah, while my Grandma and aunt are working in the kitchen. My mom is next to my dad, putting a bowl of chicken soup with matzo balls on the table. The table is set with the traditional seder plate, wine and matzo, and the children are all at the table with the family. On the left side of the painting, a goat, (a kid-from the traditional song in the Hagaddah Chad Gadya – about one kid that father sold for two zuzim) peeks over the front door, and on the right side, there are the apartment houses that we lived in on Chicago’s West Side. There are a few extra guests at the Seder, which would have been normal. And the dining room isn’t what my grandma’s dining room looked like. But none of that is the point. What I hope viewers get from this painting is the sense of closeness and family celebrating a beloved holiday in a traditional way. I loved painting it.